April 2009

Wednesday, April 29, 2009

Waxing The Male Private Areas

Video, Woman and Woman and Superstition Superstition

Eleven artists to tell her femininity and charm, its mystery, its superstition. On this occasion we take a look on the production videoartist contemporary and seek points of fellowship between the participating artists and the theme. A short review, 'cause the video-art expands the limits of the short time, requires even greater attention, participation seriously,' cause there are many channels and different interpretations of the codes vision than those already tested the TV and film .

first sortie Space Wunderkammer outside the room of 20 square meters where until now had kept the "events" to show that any place can become a Wunderkammer improvised, narrowly escaping the idea of \u200b\u200bthe exhibition on the walls to deal with new methods of use and "relaunch" of the artist, in this case, the Office of Youth and the Circuit of Cremona Attraversarte helped us by providing the comfortable Teatro Monteverdi. Maria and I then we were joined in the operation by a new entry , Federico Fronterre , which has proved a useful resource with which the partnership is not yet over.

Below is the list of artists involved:

Barbara Agreste , London - Reptilia - and - Chequered Tunnel - versatile artist, performing exhibitions around the world, 'was born in Pescara, but lives and works in London. He finished his video-Reptile-especially for this exhibition, combining perfectly the nature of femininity panic with a technique which is now 'own independent video production, animation in one step. The result is' immersion in dream territory steeped in symbolism organic and space. Site: http://www.bambee.org

Syria Bertorelli, Cremona - Untitled - The video shown at the festival represents a fusion experiment between drawings, in which the dominant theme and 'a figure in the frenzy of embryonic processing encloses' the germ of his age and death and then return to be face pre-natal and so' on. Syria Bertorelli works in graphic design, illustration and art installation. Part of the preparation of the fanzine Bakel. He lives and works in Cremona, where for several years dealing with educational workshops / multidisciplinary expressive. Site:

http://www.tapirulan.it/siriabertorelli

David C. Fragale , Cremona - Her - Curator of the exhibition and the European Wunderkammer Attianese with Mary. Active for years in the video, the film presented in VIDEO, WOMAN AND SUPERSTITION, and 'was made with Chiara Brambati, Emiliano Guarneri, Philip Lottici and Tullio Zanibelli and was originally a fragment of a video' long presented Gemine Muse at Cremona in 2005. The woman becomes an object of art and the underground world of ideas is concerned with. Site: http://www.dcf.deviantart.com

Federico Fronterre ', Cremona - 0 - studied photography at' Istituto Europeo di Design in Milan from 2001 to 2005. ATTEND Silvio Wolf and Giancarlo Maiocchi (Occhiomagico). They soon become key points of reference for his artistic and personal growth, and for understanding the mechanisms that drive an artist to design and production work and the need to make other people share his research. In the video -0 - presented at the festival VIDEO, WOMAN AND SUPERSTITION, the woman and 'a figure that reflects back on something more' that denied her reflection. Site: http://www.myspace.com/federicofronterre

Alice Maestas, Cremona - Upnea - Alice Maestas was active in circuit Attraversarte of Cremona for a long time, especially in gathering consensus performative. In this video you can see why '. The poetics of the body and water, anti-gravity element, allows the artist to float free of its limitations, and to stage a sensual, exotic representation of where the camera and 'unfortunately the only possible witness. Mail: ali5vai@libero.it

Ruggero Mantovani, Verona - Sirens - Ruggero Mantovani, 29, graduated Dams Bologna in the language of music videos, worked as an editor and videographer. He has made some music videos for bands and various video installations for clubs, festivals, cultural associations in Verona. From January 2007 began to rework footage accumulated over the years, and then create a video of passion, without patrons. His speech at this event and 'a visual trip, sirens a subliminal message for those who know where to look. Site: http://www.myspace.com/spicchio

Giosue ' Marongiu, Cagliari - Man is God - Joshua 'Marongiu and' born in Cagliari in 1954. He has worked for years in the field of art, publishing and teaching computer science. E 'component of the LIG (Last International Group). The video presented at the Review and 'a long journey of strong suggestions at times - the theme of the birth and death - mediated by the beauty of what' and that 'all around us, hiding the meaning of life. The woman, mother and midwife, and 'the edge of this experience, implicit and powerful. Site: http://www.giosuemarongiu.it

Jara Marzulli, Bari - The Rite - graduated from the ' Accademia di Belle Arti di Bari, Jara Marzulli artistic career has taken her to exhibit his paintings a bit 'everywhere throughout Italy. -The Rite-e 'video Recently, for a brief moment in which this painter is transformed into one of the subjects of his paintings, halfway between dance and witchcraft. A dance as an escape from the constraints. A shelter are the prayers said in silence, cursing or expiation. The woman is drawn into the witch and pagan religious rite. Site: http://www.jaramarzulli.it

Chiara Scarfo ', Genova - Paradise Lost - and - Eight - The production of Chiara Scarfo '(his works belong to private collections of Genoa, Turin, Rome, Milan and Alessandria) has participated in many festivals both Italian and foreign, and the means chosen by Clare and 'simple, her body becomes a means to document his actions captured in a ballet abandoned spaces long, lonely and prone to colonization by external forces : in this case, the artist herself. Site:

http://www.chiarascarfo.altervista.org

Alice Seghetti-Saba Ferrari, Verona - Eleanor - The suggestion of Lynch in the video of two girls with an eye already trained. Saba Ferrari ' painter, illustrator Alice saws, both passed from this to that medium, seeking new forms of expression. Eleanor is their first experiment in this field, without fear of confronting the work of people more 'expert. Site: http://www.myspace.com/totemica

The artwork for the poster was created by Skeletro379 , alias Renato Florindi

DCF

Thursday, April 23, 2009

Blog Camila Rodriguez Trave

III: Cigoli

Anna manages to mingle among people unaware of being the daughter of the green world, to be companion of the Sylphs, dryads, that realm of women that has its roots (literally) in the soil of the earth. Its reality is not something that can physically reach, but a twinning that changes when he takes his brush and cancels the distance between her and the secret world where all people, perhaps, to some extent we belong. Anna more than others, probably. Because without being cloying, trite, predictable, manages to make us perceive the secrets of which she herself does not know the content, but that is unconsciously guardian. It is not easy to grasp all this, because not enough intelligence and the critical assessment, we must let go and forget for a moment its rationality, and replace them with one thought in mind when paying by small trees seem bigger than they can be today we are used to surviving branches. It is not easy, but it is worth. For those not in a hurry, and for those who still believe, is of course.

DCF

The work of Anna, paintings and photographs, can be found here.

Where Are Good Places To Get Dresses For Dances

Donna Anna and Superstition II: Fausto Merli

Women who could be there, what were those that only dream about in the magazines, wet dreams of acid. A series of prints of women, sensuality washed out, a point of view on the lapidary beauty. What is gone? No, that remains strong, in fact it is vindicated with greater clarity, as in the pictures that cemeteries are there forever, until they fall on their own or someone breaks. A lady with the palms up, in this remote past or present, which shows disarmed. Is it?

Here is the line of purple Fausto Merli ...

DCF

Memory Quotes For Picnik

Woman and The Superstition: The White Rabbit

Syria Bertorelli, which opened this series of exhibitions on Women and the Superstition Area Wunderkammer , archetipizza the femininity of the new millennium. Deeply emancipated to be always sure of his artistic journey, Syria filters doing their job to go through a 360-degree view of what is the concept of woman these days, some youthful platitudes. Syria Bertorelli do not play the martyr meticulous Art Academy (from always the prerogative of the dominant males of this or that current), or exploits so irritating the ruthlessness of the typical female glamor, nice pin-up era of media in which sublimates the sensuality of their talent. If anything is situated in a perfect alchemy between the two concepts, playing with the roles he claimed his own psychological security, a seriousness that goes first to the joke, expertise based on understanding. The same can be seen in his work.

Little Red Riding Hood the wolf kills herself before becoming a Little werewolf. The tale soon becomes eternal curse. If there is one lesson is that the child is dead, and to say with the philosophy Angela Carter, is coming off the woman, powerful creature (from the Latin dominates ), a small god imprisoned by the wisdom and fear of man into beast form of servile and submissive. For the moment, at least ...

DCF

For the curious and connoisseurs, the rich production of Syria visible deviantart .

Monday, April 20, 2009

Places In Jax,fl That Wax

Bertorelli Syria: Women and superstition, even

The White Rabbit is presented as an editorial-like. This is not a consumer product in the sense commodity, as from the beginning its curators have developed a concept of "merchantability" which looks at the art catalog, magazine, fanzine, and the medium of a different nature - in a non- casual, but causal , the Web and its synthetic capacity, protean and arbitrary, it was a reference model. From the beginning the book was so distinguished for its intrinsic form of freedom, moving artists to self-analysis and self-criticism.

The project Women and Superstition the book is bound (one of the first "paperless" which has occupied the space Wunderkammer), threatened to never see the light, despite the efforts made by the artists involved in (Mark Anzalone, Claudio Arisi, Victoria Attianese, Syria Bertorelli, Anna Cigoli, Francesca Dalla Benetta, Elisa Boldori, Renato Florindo, Fabio Guarneri, Gianluca Mangano, Fausto Merli, Riccardo Pirovano, Tentolini George and myself, plus the contributions of Pierre Bouillon, Don Giovanni and Giovanni Trabucco Locatelli) . I never really understood what went wrong, perhaps the art group had lost the enthusiasm necessary to complete the project, perhaps the circuit Attraversarte which was sponsored by the White Rabbit had to promote projects quotas. In any case, whatever the reasons (which may be reflected in another time, and maybe I will), we Space Wunderkammer we decided, after about a year after the printing of the booklet (which was the mold in their boxes) , to do some 'our idea, to organize small exhibitions and distribute the theme "White Rabbit: Women and superstition, too." The booklet was 'released' not only to Cremona, but also in Milan on a massive scale, and has made appearances in bookshops and English pubs in and around London, and of course in Barcelona, \u200b\u200bwhere perhaps he has found his ideal client. For exhibitions Spazio Wunderkammer Instead, Maria and I have been able to take a small budget with which (hallelujah) to respond to advertising costs (real flyer in color rather than black and white photocopies of which were used).

Below are a few 'of images from the book, but I intend to post a pdf downloadable on the future (when I understand how to do).

DCF

Victoria Attianese

Skeletro 379

Francesca Dalla Benetta

Claudio Arisi

David C. Fragale

Bachelor Party Wisconsin Dells

Fifth Wunderkammer : Pierre Bouillon

If less than half of the professors of the Academy of Brera in Milan was like Pierre Bouillon, I believe there is still hope for Italian art. Pierluigi know a considerable number of years, was my teacher of artistic anatomy, and was also a "master", a term better suited to this man who, after a life full of artistic events, many major , decided to come here, and very humbly sets in our little space "underground", he exhibited his drawings, stories (and men) mice.

As cells of a dream world, these mice make things, animate them, until the next landslide at the next epiphany, which disperses them and immediately reorganizes them into something that perhaps more than an idea in the world, is a fractal of ' soul.

DCF

Monday, April 13, 2009

Will Dogs Hair Grow Back After Scar

The fourth of Wunderkammer Max Salvi

The Many Faces of Max Salvi, whether they are portraits of women, dogs, strange creatures, they have the emotional exasperation of a tragic Greek mask, and at the same time recall some characterizations manga.
homunculus bizarre, alien, gazing from the canvas, leaves, from the endless media from the Land of Ideas, longing and giudicando.Le their faces a unique world.