Syria Bertorelli, which opened this series of exhibitions on Women and the Superstition Area Wunderkammer , archetipizza the femininity of the new millennium. Deeply emancipated to be always sure of his artistic journey, Syria filters doing their job to go through a 360-degree view of what is the concept of woman these days, some youthful platitudes. Syria Bertorelli do not play the martyr meticulous Art Academy (from always the prerogative of the dominant males of this or that current), or exploits so irritating the ruthlessness of the typical female glamor, nice pin-up era of media in which sublimates the sensuality of their talent. If anything is situated in a perfect alchemy between the two concepts, playing with the roles he claimed his own psychological security, a seriousness that goes first to the joke, expertise based on understanding. The same can be seen in his work.
Little Red Riding Hood the wolf kills herself before becoming a Little werewolf. The tale soon becomes eternal curse. If there is one lesson is that the child is dead, and to say with the philosophy Angela Carter, is coming off the woman, powerful creature (from the Latin dominates ), a small god imprisoned by the wisdom and fear of man into beast form of servile and submissive. For the moment, at least ...
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